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I don’t usually start a project with a clear message in mind. Most of the time, it begins with a feeling that something is off, unfinished, or hard to describe. I’m drawn to situations where images feel familiar but slightly unstable, where reality starts to look staged, or where meaning seems to slip just as it becomes visible.
Making projects allows me to stay with those moments a little longer. Through building objects, setting up scenes, and working with moving images, I try to understand how things are constructed, how they are meant to be seen, and what gets lost or altered in the process. I’m less interested in resolution than in attention. Sometimes the work is about observation rather than explanation, and about holding space for ambiguity instead of closing it.

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